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CRACKED - Lou Kramskoy

Lenny will be thirteen when she finally crusts over into crystal.

It will happen on a Sunday morning in March, during a double sleepover at Nina’s.

On the first night of the double sleepover, the Friday night, the girls will sit on the

large L-shaped sofa in Nina’s front room, eat salty chips soggy with vinegar and then braid each other’s long hair into twelve tiny plaits. Squashing together so they can both see the screen, they will watch YouTube whilst chewing strawberry laces and sucking

the sugar off pastilles till they slip smoothly round their wet mouths. They will show each other the sucked pastilles, which will look like pink polyps on the ends of their tongues.

Later, at bedtime, Lenny and Nina will walk upstairs, strip off their school

uniforms, now coated in sugar-crumbs, remove everything except their knickers and climb into onesies. Nina’s onesie will be purple, made from thick fake fur and it will

have long ears sewn into the hood and a fluffy white bunny bump on the bum. Lenny’s blue cotton onesie will be covered in neon yellow cursive text which will read ‘party-

girl party-girl party-girl’. The repeating phrase will wrap continuously around

Lenny’s body like a hula-hula hoop. It will be Lenny’s favourite onesie because it

won’t be babyish, not like Nina’s with its fluffy bunny tail, but the material will be

badly sewn and it will not line up properly at the seams so each side of Lenny’s body

will read ‘pa-gi’ and ‘irl-ty’. Nina will notice and she will tease Lenny. She will tease

her non-stop because she knows Lenny’s onesie will be nicer, much nicer, and that fact will make Nina feel bad.

The girls will try, but fail, to stay up all night, staring at the enormous

television mounted on the wall above Nina’s single bed. Their sleepy eyes will

absorb a stream of music videos featuring women wearing PVC bras. The

women’s bodies will glisten with sweat as they dance around fully dressed men.

At 3:54 AM Nina’s tired parents will thump on the thin

partition wall between the bedrooms in Nina’s new build house. They will thump

so hard – thump thump thump – they will thump three times and the television

will rattle in its brackets and Lenny will feel scared on that third thump that the television will slither out its bolts and crush them.

Like most girls, it will have crystallised slowly over time. The slow speed of the steady process will be crucial to the quality of the crystal Lenny forms between her legs.

When Lenny is little,

as a toddling infant with rosy

flushed cheeks and dimpled smiles, Lenny will be obsessed by her toes. A toe

will seem a strange shape and something worth thinking about. At bath time, when little Lenny pulls off her tights patterned with pictures of pink kittens and holds her chubby legs spread wide in the air above her head, she will stare at her soft feet which hinge out at right angles from her ankles and, when Lenny clumsily stands back up, she will be utterly amazed at how her feet spread flat on

the floor and fringe out with five toes.

At two years old, when Lenny is still

young enough to not understand the day after yesterday, or the day before tomorrow, she thinks she will grow up to be a boy. Or a dragon. Or a bird soaring through the air. On long drives, she will hang her head out the open window of the car and with fast wind in her face she will imagine she is a falcon swooping down

to pick up prey.

During those long days before school,

on warm afternoons overgrown with new things – flying ants, golden

ladybirds and baby birds ripped down from low nests carried in cats’ claws –

Lenny will dance in her pants round her garden chopping at the air. As she cuts

her imagined path through, slaying invisible monsters, she will leave it too late

and wet her pants and already knowing wet pants are wrong, that there will be

anger, anger at this always happening, she will take them off, tripping as they

tangle between her legs and she will bury her wet knickers in the corner of the flowerbeds. Seeing the little raised mounds, she will dance naked round them

thinking they look like the graves in Nina’s garden.

She will have just met Nina,

and when Lenny goes around on those first playdates whilst their mothers

sit on the patio drinking coffee, talking about schools and choices, Nina will show

Lenny her goldfish grave. It will be a mass grave. There will be many, many

goldfish buried there. The girls will like sitting naked on the grass beside the

graves and feeling its luscious blades tickle their soft bums.

On the Saturday morning of the double sleepover, the two thirteen-year old girls

will wake up sweating, with a sugar hangover, fizzy dry lips and breath thick

with artificial flavours. Having got hot in the night they will be naked from the

waist up. Nina will pull her onesie back over her bare chest and go to the box-

sized bathroom on the landing. As she walks away, Lenny will stare at Nina’s

childish bunny-bum-bump bouncing behind her. But then, Nina will return

quickly, too quickly, wrapped in a small damp hand towel usually used for

guest’s hands. Nina will stand stiffly, holding something secret, hiding it under

her fingers and she will look worried. Lenny will think she has stolen something

from her mum again, like money.

‘I think I got my first period,’ Nina will say, staring at Lenny. Her words

will sound odd, like she is reading off a script in drama class, and then she will

unfurl her stiff fingers. It will be Nina’s pants folded into her hand and Lenny

will feel sick thinking about the sticky icky thing that Nina might be pressing

into her palm.

Neither will know what to say. So they won’t.

Nina will disappear to find her mother and Lenny will wait, she will sit

waiting on the bed. She will wait and wait and then thinking of her own mother

waiting, Lenny will make the bed. Make the bed, be useful, Lenny will think,

and when she stands, grabs two corners of the duvet and flips it, Lenny will get

covered in the sugar crystals which will bounce up in the air like tiny transparent

ants. Lenny will get dressed, pack up her things and try to go home. But Nina

will want her to stay.

The girls will carry on with their day. They will put gel-glitter on their

cheeks and take turns un-braiding their hair. Lenny will sit behind Nina on the

bed and wriggle elastic bands off the bottom of Nina’s, then drag her thumbs

through and watch each strand spring up like the steps in a steep staircase.

Nina’s hair will stink of vinegar but Lenny won’t tell her this. When they swap

and it is Lenny’s turn to get un-braided, Lenny’s hair will not spring up like

Nina’s when it is undone, instead Lenny’s hair will flop down her back like flaps

of folded wet paper. It will look terrible. Nina will giggle. It will be a mean

giggle. Nina will make the hiding of that mean giggle a big thing and she will

lean in to Lenny and whisper, ‘Your hair did not curl because you are not a real

woman, not like me.’

And that’s how the rest of the Saturday will go.

Nina will be unable to stop herself. She will spend the day gloating from

the other side of that icky divide.

The first stage of crystallisation, the time taken for that initial crystal to form, is called the primary nucleation phase and it refers to that moment when the very first crystal is formed in a solution or gas in which no crystal was previously present.

When Lennie is four she will be told off for cartwheeling naked through sprinklers

in the park. And there will be comments whenever she sits pant-free splay-legged

on a seat but never when she stands and Lenny will notice this. Whenever she

stands and pushes her legs wider and wider no one will say anything about closing them. Lenny will stand splitting her legs wider.

Lenny will be so good at splitting

her parents will enrol her at a pre-school gym club. Every Thursday

afternoon, in a church hall stinking of sweat and rotting wood, teenage girls will

push a Lycra clad open-legged Lenny down, down towards the floor. As Lenny is

spread into scissor splits, straddle splits, box splits and front splits, she will think

of dolls whose legs pop out when you pull too hard. Lenny will worry because she knows that even if you push those popped out legs back in, they never hang right

again. With her legs spread wide, when her vagina touches the soft-landing matt everyone will applaud and Lenny will feel confused. Very confused indeed.

At Nina’s house, on the second morning of the double sleepover, the Sunday

morning, Lenny will wake up first. She will wake up on a deflating blue plastic

airbed on the floor, feeling sharp pangs inside her stomach, like a needle

threading something secret inside her. Lenny will pull up her onesie and go to

the bathroom.

Sitting on the toilet with the onesie pooled around her ankles, feeling

fluid flood out, she will see a thin line of brown in her white pants. She will wipe

her bum first. Then she will realise it is not her bum and want to scream. She

will step out her onesie and pull off her pants. She will throw the pants into the

toilet on top of the paper and she will push the handle but the pants won’t

disappear down the pan. They will balloon up with the air created by the force of

the flush. She will push again and again. The cistern will be slow and noisy

refilling but eventually it will work, and the pants will disappear down.

Lenny will take a hand towel, run to Nina’s room and get dressed. She

will mumble about forgotten homework, pack her stuff and go home. Nina will

stand in her front doorway, watching, her springy hair flattened on one

side by her sleep.

When Lenny gets to the bus stop her bag will feel too light and she will

remember her nicer onesie, left slumped on the floor in front of the toilet, like a forgotten skin, like a snake that has shed.

Not all crystals form a precious shape. Some crystals spread out. These thin layers of crystals are not strong and can be picked away. To generate one solid crystal of stunning quality, with a pleasing shape, the solution must not be exposed to impurities. Impurities will affect the quality of the final crystal created.

When Lenny is three, her mother will be momentarily pregnant again. Lenny will

go to the early scans and hear the baby’s heartbeat galloping like a strong horse

running on a drum. She will become curious and ask her mother questions,

wondering how the horse-baby will get out. Her smiling mother will explain,

priding herself on being as anatomically correct as possible, but each time Lenny

will be distracted – she will be distracted by springtime butterflies flipping past,

by summer clouds that look like sharks hunting fish and by autumn spiders’ webs frosted with morning mist, appearing everywhere like ghostly nets slung over box hedge.

Then months later, Lenny will remember

they haven’t spoken about the horse-baby. She will run to her mother,

who will be lying in a hot bath with a flat stomach and she will ask again when

the horse-baby will gallop out. Her tearful mother will climb out the bath and she

will tell Lenny that she is not talking about it again. Lenny will be eye level to her mother's vagina which will be coated in silver bubbles. The bubbles will make a

popping sound like tiny crystals being crushed and Lenny will cry and run to bed.

On the bus home from Nina’s, Lenny will sit at the back biting her nails, worried

she can smell it and when no one sits beside her on the bench she will become convinced they can all smell it too, that everyone knows what is happening to

her. She will swing up her legs worried thick brown stuff might be leaking down,

oozing along the front of her shins pooling and soaking into her ankle socks.

Lenny will have no idea how much blood will come because no one has told her.

No one has told her what it is really like.

By the time her stop approaches, Lenny will be terrified she has soaked

through onto the seats and before she stands she will take off her waxy padded

puffer jacket and tie its thick arms in a knot around her soft waist. When she

jumps off the bus and waddles slowly home the stiff jacket will hoof around her

hips restricting her steps and she will move like a Victorian maiden trapped in a

crinoline cage. The puffer jacket will bounce behind her like a big black bustle.

When Lenny gets home having forgotten her keys again, she will ring the

doorbell which will chime with the charge of the light brigade and her mum will

appear holding a mug and open the door.

‘You’re pale. What time did you get to bed?’ Her mother will say.

‘Why are you always so interested in my bloody sleep!’ Lenny will

scream and then burst into tears. Lenny’s mum will open the door wide and point

up the stairs. Her mum will blame Nina, late nights and parents who don’t police properly.

The second stage of crystal formation, the secondary nucleation, is a nucleation which takes place only because of the prior presence of crystals. Once that first crystal has been formed, the second stage takes care of itself. For girls, the process will speed up as continual comments gather in small clusters between their legs, those clusters form the solid base onto which other crystals can cling.

On her first day of school an excited Lenny will be told off for backflipping across

the playground at lunchtime. The teachers will tell her other girls are getting hurt

on the concrete floor copying her. And then, after lunch, when Lenny sits in that

first alphabet lesson, when the teacher finally asks for words beginning with V,

Lenny will be the only one to proudly thrust up her hand and it is then she will

know for sure that vaginas get you into trouble. Big trouble. She will discover that vacuums, vans and vests are good and breasts and bosoms are never as welcome

as balls.

The next day in science, when the teacher

talks to them about the quality of materials, of wood, stone and of metal,

Lenny will be thinking of open legs, vaginas and trouble. She will be thinking

about cross comments on sitting, spreading and being told off for jumping naked through sprinklers - what is this thing made of - she will wonder - this thing

between my legs that needs covering and is sensitive to air? When the teacher

holds up old coins Lenny will think - maybe it is metal.

As the teacher talks about rust

Lenny will remember when her mother goes to the bathroom, on those few

times she locks the door, there will be ripping sounds coming out from inside the

room. The ripping will sound like plastic tags peeling back on biscuit packets.

When her mum leaves the bathroom, Lenny will creep in and see rust-coloured

water in the pan. She will lift the lid on the metal bathroom bin and instead of

finding half-eaten biscuits she will discover sticky rolls of plastic backed paper

rippled with raspberry.

Panicking about rust,

when she gets home from school, after supper time, little Lenny will

smuggle her dad’s shaving mirror out the bathroom. In her pretty bedroom

decorated with baby ducks, she will sit on her bed and bend over opening it up,

and when she looks at it, she will wonder why she had never thought of looking

before. Unable to see clearly, she will push her fingers inside and it will not be

metal. No. She will feel full of muscles, strong ridges of muscles coiling around

like a flexible hose, like the thin bones of her throat. If anything, it will feel like

her tough bendy toy which she can stretch and pull but will always find back its

true shape by the morning and Lenny will smile. She will laugh.

Her dad will come in and

be shocked when he sees his daughter like that. Her mother will come in

and she will gently talk to her daughter about privacy, modesty and keeping legs

closed. And as she talks she will tap, she will tap – tap tap tap – on her wedding

ring. Lenny will stop listening to her mother’s sweet words, she will look at the

ring as her mother taps it, stare at its diamonds glistening in the glow of her moon-shaped night light which wards off bad dreams, and as the ring’s light glitters

round her room like small star sparks, she will realise, right then, that something

strange sits in her body between her legs, something that is not made out of her.

Lenny’s mum will barge into her daughter’s bedroom backwards, carrying a tall

pile of washing, crop tops, jeans and bras, which she will dump on Lenny’s

newly bought double bed.

‘I think I’ve got my period.’ Lenny will whisper from under the

bedspread, humiliated. The room will fall silent, the silence will be unbearable

and her mother will finally speak.

‘Can I see?’ she will say in a sing-song sickly soft voice.

‘See what?’

‘Your knickers?’ Her mum will sing again in that awful lullaby.

Disgusted, Lenny will point to the dirty linen bin in her bedroom.

Lenny will hear muffled conversation downstairs, the word ‘fragile’

being said and her father slamming the front door. Up till that Sunday Lenny will

never have been called fragile, she will have been called overtired, hungry a

stroppy madam but never fragile.

The word fragile is bad. It means the crystals have finally crusted over.

Lenny will lie naked in her bed running her tongue along the front of her

furry un-brushed teeth. She will hear a gentle noise on her own bedroom door.

The noise will



tap again

and eventually Lenny will realise that it is the sound of someone knocking politely on her bedroom door.

‘Come in,’

Lenny will say,



because no one

has ever knocked on her door before.

‘Hey hon, I’m running you a warm bath with bubbles your father just bought from the shop.’ Her mother will say this with a voice





Lenny’s mum

will bring in a basket,

filled with finger shaped tampons and

brick sized pads displayed like exotic fresh fruit

in a bowl. Looking at that basket, with strawberry smells rising

from the bubbles in the bathroom, Lenny

will vomit a smooth jelly of tablet sized

sweets onto her carpeted




Lou is a London based animation screenwriter. In 2016 when her youngest of three children finally started school she enrolled on the MA Creative Writing at Birkbeck (part-time) desperate to write a novel. However, she fell in love with short stories. She graduated 2018 winning both departmental prizes - Best Dissertation and Sophie Warne Fellowship for Outstanding Graduate. She’s had stories longlisted in the Bristol (2017) and London (2018) short story awards and was winner of the 2017 Aesthetica Creative Writing Award. Since graduating, she was chosen for the inaugural London Library Emerging Writers Programme (2019). More recently, her work was longlisted for UEA New Forms Award (2020) an early career award for experimental writing, from the National Centre for Writing. She is now working on her first novel, Bring Them to Light. The novel was recently shortlisted for W&A Working-Class Writers Prize 2020. She loves uncanny, slanty fiction.

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